Tcherniakov triumphs with Iolanta, but hobbles Nutcracker at the Garnier

Tchaikovsky: Iolanta/ The Nutcracker ***

Opéra de Paris, Palais Garnier, 11th March 2016

At the 1892 première of Tchaikovsky’s Iolanta and The Nutcracker, it was the opera which scored the bigger hit with the critics, even though it’s the ballet which has become a repertory staple and most companies’ Christmas cash cow. The opera is rightly enjoying a mini-resurgence. Its plot may read as saccharine, but it’s truly one of Tchaikovsky’s most moving scores. Trying to find a partner for this lengthy one-acter is tricky. For this new staging at Opéra de Paris, enfant terrible Dmitri Tcherniakov has returned to the original pairing. This time, the opera again triumphs but the ballet flounders.

Sonya Yoncheva (Iolanta), Vito Priante (Ibn-Hakia), Marion Barbeau (Marie) et al © Agathe Poupeney | Opéra National de Paris Iolanta Musique Piotr Ilyitch Tchaikovski Livret Modeste Tchaikovski D'après Henrik Hertz, La Fille du roi René Direction musicale Alain Altinoglu Mise en scène Dmitri Tcherniakov Roi René Alexander Tsymbalyuk Iolanta Sonya Yoncheva Vaudémont Arnold Rutkowski Robert Andrei Jilihovschi Ibn HakiaVito Priante Alméric Roman Shulakov Bertrand Gennady Bezzubenkov Martha Elena Zaremba Brigitta Anna Patalong Laura Paola Gardina Casse-Noisette Ballet en deux actes (1892) Musique Piotr Ilyitch Tchaikovski Chorégraphie Sidi Larbi Cherkaoui Edouard Lock Arthur Pita Marion Barbeau Stéphane Bullion Nicolas Paul Aurélien Houette Yvon Demol Takeru Coste Alice Renavand Sofia Rosolini Simon Le Borgne Caroline Bance Charlotte Ranson Mise en scène Dmitri Tcherniakov Décors Dmitri Tcherniakov Costumes Elena Zaitseva Lumières Gleb Filshtinsky Chef des ChoeursAlessandro Di Stefano Les Étoiles, les Premiers Danseurs et le Corps de Ballet Orchestre et Choeurs de l'Opéra national de Paris Maîtrise des Hauts-de-Seine / Choeur d'enfants de l'Opéra national de Paris Photos © Agathe Poupeney / OnP

Sonya Yoncheva (Iolanta), Vito Priante (Ibn-Hakia), Marion Barbeau (Marie) et al
© Agathe Poupeney | Opéra National de Paris

Read the full review on Bachtrack.

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