Interview: Kristine Opolais
Martin Kušej’s controversial Munich production of Rusalka – to which you return in June – was seen as a breakthrough role for you in terms of international recognition. What are the challenges in that particular staging?
Martin Kušej’s production in Munich is very close to my heart. It’s a deep, emotional, dark work. It’s hugely challenging for the performers and the audience. I was sick when we rehearsed it initially and had to remain silent while rehearsing. I couldn’t sing, so I spent my days rehearsing in silence, thinking about the role. Suffering. It was almost surreal that I had to live through in real life what Rusalka lives through in the story.
Read the full interview on Bachtrack.