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Author Archives: Mark Pullinger
“Esultate!” Kunde’s Otello impresses at Covent Garden
Verdi: Otello Royal Opera, 9th December 2019 It’s good to have expectations confounded. For much of his career, American tenor Gregory Kunde specialised in bel canto repertoire, his light, flexible voice ideal for Rossini with easy top notes that also … Continue reading
Scarpia stabbed, Tosca smothered by Livermore’s La Scala staging
Puccini: Tosca Teatro alla Scala, 7th December 2019 A stone lion pins down its prey in Scarpia’s study, symbolic, no doubt, of the cat-and-mouse game the Chief of Police plays with Tosca in Act 2. But it could also represent … Continue reading
Icy chic: Svetlana Zakharova as Coco Chanel in an airbrushed ballet tribute
Come un respiro/ Gabrielle Chanel Coliseum, 4th December 2019 “Fashion becomes unfashionable. Style never.” Coco Chanel was the epitome of style and there was no doubting it in Yuri Possokhov’s ballet which depicts the iconic couturière, created this year for … Continue reading
Noseda digs into his “Russian Roots” with the LSO
Noseda/ London Symphony Orchestra Barbican, 28th November 2019 “Russian Roots” is the title of Gianandrea Noseda’s ongoing series with the London Symphony Orchestra, an exploration of Russian repertoire rather than anything to do with the conductor’s – Milanese – origins. … Continue reading
Posted in Concert
Tagged Bruch, Gianandrea Noseda, Janine Jansen, London Symphony Orchestra, Rimsky-Korsakov, Tchaikovsky
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