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Tag Archives: Dialogues des Carmélites
Top ten operas 2022
This was the year that opera houses got back to something approaching “normality” post-pandemic. It’s easy to forget that at the start of 2022, Covid restrictions were still very much in place: visiting Vienna in January, one needed proof of … Continue reading →
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Tagged Adam Smith, Adele Thomas, Ailyn Pérez, Alain Altinoglu, Alcina, Anna Caterina Antonacci, Asmik Grigorian, Bajazet, Claus Guth, Corinne Winters, Dialogues des Carmélites, Don Carlo, Don Carlos, Elena Stikhina, Elena Zilio, Eleonora Buratto, Elina Garanca, Emma Dante, Enea Scala, Gábor Bretz, Garsington Opera, Gerard Schneider, Gianni Schicchi, Glyndebourne, Il tabarro, Il trittico, Irish National Opera, Jack Furness, Jonathan Tetelman, Kristine Opolais, La Monnaie, La Voix humaine, Laurent Pelly, Les Mamelles de Tirésias, Lisette Oropesa, Ludovic Tézier, Martin Kusej, Matthew Polenzani, Najmiddin Mavlyanov, Natalya Romaniw, Opera di Roma, Otello, Peter Kálmán, Peter Whelan, Pique Dame, Richard Jones, Rosetta Cucchi, Rossini Opera Festival, Royal Opera, Rusalka, Salome, Stéphanie d’Oustrac, Suor Angelica, Teatro alla Scala, Teatro di San Carlo, Theater an der Wien, Tosca, Valery Gergiev
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Frugal simplicity: minimalistic but powerful Carmélites at Grange Park
Poulenc: Dialogues des Carmélites **** Grange Park Opera, 6th July 2013 The last time I was at Tre Scalini, in Rome’s Piazza Navona, it was a brief visit, merely to scoff down some Tartufo and scribble a postcard or two. Francis … Continue reading →
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Tagged Anne-Marie Owens, Dialogues des Carmélites, English Chamber Orchestra, Fiona Murphy, Grange Park Opera, Hye-Youn Lee, John Doyle, Kathleen Wilkinson, Liz Ascroft, Matthew Stiff, Nicky Spence, Nigel Robson, Paul Keogan, Poulenc, Sara Fulgoni, Soraya Mafi, Stephen Barlow
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