Tag Archives: Katie Mitchell

Plums and turkeys: a musical voyage around 2016

Posted on December 28, 2016 by Mark Pullinger

Most people I know cannot wait to see the back of 2016. But in the year in which Brexit, Trump and the Grim Reaper were the big winners, I admit to having had a terrific twelve months. A whirl of … Continue reading →

Posted in Comment | Tagged A Midsummer Night's Dream, Akhnaten, Akram Khan, Aleksandra Kurzak, Alice Sara Ott, Alvis Hermanis, Anastasia, Anna Netrebko, Attila, Ballet de l'Opéra de Paris, Barrie Kosky, BBCSO, Beethoven, Boris Godunov, Cavalleria rusticana, Cesar Corrales, Chabrier, Charles Dutoit, Così fan tutte, Daniel Barenboim, David Bösch, David Bruce, Der Ring des Nibelungen, Deutsche Oper am Rhein, Dmitri Tcherniakov, Don Carlo, Dutch National Opera, Elina Garanca, Enescu, English National Ballet, English National Opera, Ermonela Jaho, Eugene Onegin, Florent Schmitt, Garsington Opera, Giselle, Glass, Glyndebourne, Grange Park Opera, Grigory Sokolov, Herbert Blomstedt, Il trovatore, Iolanta, Jaap van Zweden, Jan Philipp Gloger, Jean-Christophe Maillot, Jean-Efflam Bavouzet, Karita Mattila, Katie Mitchell, L'Étoile, La canterina, La Fenice, La Scala, Le Concert d'Astrée, Le Corsaire, Leipzig Gewandhaus Orchestra, Lucia di Lammermoor, Madama Butterfly, Mariss Jansons, Matthew Bourne, Maurizio Pollini, Natalia Osipova, Nothing, Oedipe, Opera Holland Park, Opéra national de Paris, Opera North, Opera Rara, Orchestre de Paris, Pagliacci, Peter Hall, Philippe Cassard, Pique Dame, Puccini, Riccardo Chailly, Richard Farnes, Richard Jones, Roderick Williams, Rodula Gaitanou, Rossini, Royal Ballet, Royal Opera, Ruxandra Donose, Semiramide, Shostakovich, Sondra Radvanovsky, Sonya Yoncheva, Stefan Herheim, Stuart MacRae, Tamara Rojo, Teatro alla Scala, The Devil Inside, The Golden Cockerel, The Nose, The Nutcracker, The Queen of Spades, The Red Shoes, The Rose and the Ring, The Sleeping Beauty, The Taming of the Shrew, The Winter's Tale, Verbier Festival, Verdi, Vladimir Stoyanov, Welsh National Opera, Written on Skin, Zenaida Yanowsky | Comments Off

Return to the crime scene: fresh blood improves Royal Opera’s Lucia di Lammermoor

Posted on May 12, 2016 by Mark Pullinger

Donizetti: Lucia di Lammermoor **** Royal Opera, 11th May 2016 Double casts are a mixed blessing. When they play side by side, there’s a temptation to indulge in ‘fantasy casting’, mixing and matching your ideal team from those available. But … Continue reading →

Posted in Opera | Tagged Aleksandra Kurzak, Artur Ruciński, Chorus of the Royal Opera House, Daniel Oren, David Junghoon Kim, Donizetti, Katie Mitchell, Lucia di Lammermoor, Matthew Rose, Rachael Lloyd, Stephen Costello, Vicki Mortimer | Comments Off

Flawed and floored: Katie Mitchell delivers a powerful Lucia at Covent Garden

Posted on April 8, 2016 by Mark Pullinger

Donizetti: Lucia di Lammermoor *** The Royal Opera, 7th April 2016 The warning signs were there. Patrons had received the email warning of graphic scenes of sex and violence. Katie Mitchell herself said at a Friends’ Insight evening that “I … Continue reading →

Posted in Opera | Tagged Charles Castronovo, Chorus of the Royal Opera House, Daniel Oren, Diana Damrau, Donizetti, Katie Mitchell, Kwangchul Youn, Lucia di Lammermoor, Ludovic Tézier, Peter Hoare, Rachael Lloyd, Royal Opera, Taylor Stayton, Vicki Mortimer | Comments Off

Tag Archives: Katie Mitchell

Plums and turkeys: a musical voyage around 2016

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Return to the crime scene: fresh blood improves Royal Opera’s Lucia di Lammermoor

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Flawed and floored: Katie Mitchell delivers a powerful Lucia at Covent Garden

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Tag Archives: Katie Mitchell

Plums and turkeys: a musical voyage around 2016

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Return to the crime scene: fresh blood improves Royal Opera’s Lucia di Lammermoor

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Flawed and floored: Katie Mitchell delivers a powerful Lucia at Covent Garden

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