Tag Archives: QEH

Full throttle: finger crunching pianism from Alice Sara Ott and Francesco Tristano at the QEH

Ravel, Debussy, Stravinsky/Alice Sara Ott & Francesco Tristano **** Queen Elizabeth Hall, 11th June 2015 Apart from the crunching key change near the end, the only variation in Ravel’s Boléro comes through its dynamics and its brilliantly inventive scoring. Ravel … Continue reading

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