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Tag Archives: Tchaikovsky
Taking flight from the Scala pit: Riccardo Chailly and the Filarmonica della Scala on tour
Filarmonia della Scala/ Chailly ***** Barbican, 24th January 2018 La Scala doesn’t quite roll out the red carpet for Riccardo Chailly, but they do ferry around a podium upholstered with red velvet carpet and matching handrail. If Chailly is maestro royalty, … Continue reading
Posted in Concert
Tagged Benjamin Grosvenor, Filarmonica della Scala, Grieg, Riccardo Chailly, Rossini, Tchaikovsky, Verdi
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Snow boots on for an exuberant Tchaikovsky 1 from Michail Jurowski and the LPO
Tchaikovsky: LPO/Michail Jurowski **** Royal Festival Hall, 22nd November 2017 With Christmas market stalls already doing a roaring trade along the Thames next to the Southbank Centre, summer seems but a distant memory. However, the London Philharmonic Orchestra, playing under the … Continue reading
Posted in Concert
Tagged Beatrice Rana, Bridge, Debussy, London Philharmonic Orchestra, Michail Jurowski, Prokofiev, Tchaikovsky
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Esther Yoo’s affectionate Tchaikovsky the highlight of a disappointing evening with the Philharmonia
Philharmonia/ Karl-Heinz Steffens ** Royal Festival Hall, 2nd November 2017 Eduard Hanslick had a sharp tongue and an even sharper pen. The critic savagely dismissed Tchaikovsky’s Violin Concerto as “music that stinks”, while his verdict on a two-piano play-through of … Continue reading
Posted in Concert
Tagged Beethoven, Brahms, Esther Yoo, Karl-Heinz Steffens, Philharmonia, Tchaikovsky
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Natalya Romaniw an imperious Tatyana as Tchaikovsky is unleashed from the Mayflower pit
Tchaikovsky: Eugene Onegin *** Welsh National Opera, Mayflower Theatre, 18th October 2017 The Orchestra of Welsh National Opera is a splendid beast, from its growling double basses all the way up to its airy flutes, heard to thrilling effect in Eugene Onegin, part … Continue reading
Prom 68: Valery Gergiev and the Mariinsky keep the Red Flag flying
Mariinsky Orchestra/ Gergiev **** Prom 68, Royal Albert Hall, 3rd September 2017 “Our business is rejoicing, our business is rejoicing.” In the Soviet Union, composers quickly learnt when to toe the Party line. After his opera Lady Macbeth of Mtsensk was condemned … Continue reading