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Tag Archives: Tom Pye
Mesmerising Akhnaten returns to ENO
Glass: Akhnaten English National Opera, 11th February 2019 For the uninitiated, it’s not exactly an evening pregnant with promise: an opera largely sung in Egyptian, Hebrew and Akkadian, without surtitles, its two hour score chugging through obsessive ostinatos of A … Continue reading
Posted in Opera
Tagged Akhnaten, Angharad Lyddon, Anthony Roth Costanzo, Bruno Poet, Charlotte Beament, Chorus of English National Opera, Colin Judson, English National Opera, Glass, Hazel McBain, James Cleverton, Karen Kamensek, Katie Stevenson, Keel Watson, Kevin Pollard, Martha Jones, Orchestra of English National Opera, Phelim McDermott, Rebecca Bottone, Rosie Lomas, Tom Pye, Zachary James
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Billowing silk and blue hair: Phelim McDermott creates an evocative Aida for ENO
Verdi: Aida **** English National Opera, 28th September 2017 Instead of posters for English National Opera’s new staging of Aida depicting a steep shaft of light over a lone soprano, they could easily have screamed Akhnaten II: Return of the Tomb Raider. Phelim McDermott envisages … Continue reading
Circle of Life: Janáček’s Cunning Little Vixen returns to Glyndebourne
Janáček: The Cunning Little Vixen **** Glyndebourne Festival Opera, 12th June 2016 Seventy years before Elton John’s “The Circle of Life” graced The Lion King, Leoš Janáček celebrated nature’s cycle in The Cunning Little Vixen. His inspiration was drawn from … Continue reading
Posted in Opera
Tagged Alexander Vassiliev, Alexandre Duhamel, Alžběta Poláčková, Christopher Purves, Colin Judson, Dinah Collin, Elena Tsallagova, Glyndebourne, Glyndebourne Chorus, Jakub Hrůša, Janáček, London Philharmonic Orchestra, Marta Fontanals-Simmons, Melly Still, Sarah Pring, The Cunning Little Vixen, Tom Pye
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