Tag Archives: Anna Netrebko

Swans, severed heads and a deerstalker: 2018 in review

Posted on December 30, 2018 by Mark Pullinger

“Wow! That’s some year you’ve had!” was a message written in one of this year’s Christmas cards. “Aiming to top it in 2019?” I’m not sure I have the energy! My outstanding operatic experience of the year was easily Salome at … Continue reading →

Posted in Ballet, CD, Comment, Concert, Opera | Tagged Alexei Ratmansky, Alzira, Anna Netrebko, Antoine Tamestit, Asmik Grigorian, Avi Avital, Barrie Kosky, Birmingham Royal Ballet, Budapest Festival Orchestra, Carmen, Christophe Honoré, City of Birmingham Symphony Orchestra, Cyrille Dubois, Debussy, Der Ring des Nibelungen, Don Carlos, Ernani, Gaëlle Arquez, Giulio Cesare in Egitto, Glyndebourne, Hamlet (Thomas), Il corsaro, Iván Fischer, La battaglia di Legnano, La Fille mal gardée, Les Huguenots, Les Pêcheurs de perles, Liam Mower, Liam Scarlett, Lisette Oropesa, Marianela Núñez, Matthew Ball, Matthew Bourne, Michael Collins, Mirga Gražinytė-Tyla, MusicAEterna, Nemanja Radulović, Opéra Comique, Opéra de Lyon, Pathétique Symphony, Romeo Castellucci, Royal Opera, Sabine Devieilhe, Salome, Salzburg Festival, Stéphane Degout, Swan Lake, Tchaikovsky, Teatro dell'Opera di Roma, Teodor Currentzis, The Turn of the Screw, Tosca, Venice Baroque Orchestra, Vladimir Jurowski, Yusif Eyvazov | Leave a comment

Netrebko in majestic form as Tatyana in Paris Onegin

Posted on May 17, 2017 by Mark Pullinger

Tchaikovsky: Eugene Onegin *** Opéra de Paris, Bastille, 16th May 2017 The operatic merry-go-round is a strange beast. In April, Peter Mattei and Anna Netrebko were starring together in Deborah Warner’s production of Eugene Onegin at the Metropolitan Opera, the final … Continue reading →

Posted in Opera | Tagged Alexander Tsymbalyuk, Anna Netrebko, Edward Gardner, Elena Zaremba, Eugene Onegin, Hanna Schwarz, Opéra national de Paris, Orchestre de l'Opéra National de Paris, Pavel Cernoch, Peter Mattei, Tchaikovsky, Varduhi Abrahamyan, Willy Decker | Leave a comment

Plums and turkeys: a musical voyage around 2016

Posted on December 28, 2016 by Mark Pullinger

Most people I know cannot wait to see the back of 2016. But in the year in which Brexit, Trump and the Grim Reaper were the big winners, I admit to having had a terrific twelve months. A whirl of … Continue reading →

Posted in Comment | Tagged A Midsummer Night's Dream, Akhnaten, Akram Khan, Aleksandra Kurzak, Alice Sara Ott, Alvis Hermanis, Anastasia, Anna Netrebko, Attila, Ballet de l'Opéra de Paris, Barrie Kosky, BBCSO, Beethoven, Boris Godunov, Cavalleria rusticana, Cesar Corrales, Chabrier, Charles Dutoit, Così fan tutte, Daniel Barenboim, David Bösch, David Bruce, Der Ring des Nibelungen, Deutsche Oper am Rhein, Dmitri Tcherniakov, Don Carlo, Dutch National Opera, Elina Garanca, Enescu, English National Ballet, English National Opera, Ermonela Jaho, Eugene Onegin, Florent Schmitt, Garsington Opera, Giselle, Glass, Glyndebourne, Grange Park Opera, Grigory Sokolov, Herbert Blomstedt, Il trovatore, Iolanta, Jaap van Zweden, Jan Philipp Gloger, Jean-Christophe Maillot, Jean-Efflam Bavouzet, Karita Mattila, Katie Mitchell, L'Étoile, La canterina, La Fenice, La Scala, Le Concert d'Astrée, Le Corsaire, Leipzig Gewandhaus Orchestra, Lucia di Lammermoor, Madama Butterfly, Mariss Jansons, Matthew Bourne, Maurizio Pollini, Natalia Osipova, Nothing, Oedipe, Opera Holland Park, Opéra national de Paris, Opera North, Opera Rara, Orchestre de Paris, Pagliacci, Peter Hall, Philippe Cassard, Pique Dame, Puccini, Riccardo Chailly, Richard Farnes, Richard Jones, Roderick Williams, Rodula Gaitanou, Rossini, Royal Ballet, Royal Opera, Ruxandra Donose, Semiramide, Shostakovich, Sondra Radvanovsky, Sonya Yoncheva, Stefan Herheim, Stuart MacRae, Tamara Rojo, Teatro alla Scala, The Devil Inside, The Golden Cockerel, The Nose, The Nutcracker, The Queen of Spades, The Red Shoes, The Rose and the Ring, The Sleeping Beauty, The Taming of the Shrew, The Winter's Tale, Verbier Festival, Verdi, Vladimir Stoyanov, Welsh National Opera, Written on Skin, Zenaida Yanowsky | Comments Off

From Butterfly to Ice Princess: Netrebko scales spinto heights

Posted on September 15, 2016 by Mark Pullinger

Verismo: Anna Netrebko (DG 479 5015) Anna Netrebko’s clearly game for a laugh. Some time in 2015, the Russian soprano wrested control of her social media from the PRs. Her selfies reveal someone who doesn’t take life – or herself … Continue reading →

Posted in CD | Tagged Anna Netrebko, Antonio Pappano, Boito, Catalani, Cilea, DG, Giordano, Puccini | 5 Comments

Old wine, new bottles: vintage season unveiled at the ROH

Posted on April 6, 2016 by Mark Pullinger

Recently, I’ve enviously devoured new season announcements flooding in from various opera companies around the globe. Adding events to Bachtrack keeps me abreast of all the wonderful things in store. In February, the Opéra de Paris unveiled a seriously tempting … Continue reading →

Posted in Comment | Tagged Alessandra Ferri, Anna Netrebko, Antonio Pappano, Barrie Kosky, Bryn Terfel, Christopher Wheeldon, Corinne Winters, Crystal Pite, David Bösch, David McVicar, Ekaterina Bakanova, Ekaterina Semenchuk, Ermonela Jaho, Ildar Abdrazakov, Javier Camarena, Jonas Kaufmann, Joyce El-Khoury, Kasper Holten, Kevin O'Hare, Liam Scarlett, Ludovic Tézier, Mara Galeazzi, Renata Balsadonna, Renée Fleming, Royal Ballet, Royal Opera, Semyon Bychkov, Thomas Adès, Wayne McGregor | 7 Comments

Tag Archives: Anna Netrebko

Swans, severed heads and a deerstalker: 2018 in review

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Netrebko in majestic form as Tatyana in Paris Onegin

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Plums and turkeys: a musical voyage around 2016

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From Butterfly to Ice Princess: Netrebko scales spinto heights

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Old wine, new bottles: vintage season unveiled at the ROH

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Tag Archives: Anna Netrebko

Swans, severed heads and a deerstalker: 2018 in review

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Netrebko in majestic form as Tatyana in Paris Onegin

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Plums and turkeys: a musical voyage around 2016

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From Butterfly to Ice Princess: Netrebko scales spinto heights

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Old wine, new bottles: vintage season unveiled at the ROH

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