Tag Archives: Lisette Oropesa

Top ten operas 2022

Posted on December 26, 2022 by Mark Pullinger

This was the year that opera houses got back to something approaching “normality” post-pandemic. It’s easy to forget that at the start of 2022, Covid restrictions were still very much in place: visiting Vienna in January, one needed proof of … Continue reading →

Posted in Opera | Tagged Adam Smith, Adele Thomas, Ailyn Pérez, Alain Altinoglu, Alcina, Anna Caterina Antonacci, Asmik Grigorian, Bajazet, Claus Guth, Corinne Winters, Dialogues des Carmélites, Don Carlo, Don Carlos, Elena Stikhina, Elena Zilio, Eleonora Buratto, Elina Garanca, Emma Dante, Enea Scala, Gábor Bretz, Garsington Opera, Gerard Schneider, Gianni Schicchi, Glyndebourne, Il tabarro, Il trittico, Irish National Opera, Jack Furness, Jonathan Tetelman, Kristine Opolais, La Monnaie, La Voix humaine, Laurent Pelly, Les Mamelles de Tirésias, Lisette Oropesa, Ludovic Tézier, Martin Kusej, Matthew Polenzani, Najmiddin Mavlyanov, Natalya Romaniw, Opera di Roma, Otello, Peter Kálmán, Peter Whelan, Pique Dame, Richard Jones, Rosetta Cucchi, Rossini Opera Festival, Royal Opera, Rusalka, Salome, Stéphanie d’Oustrac, Suor Angelica, Teatro alla Scala, Teatro di San Carlo, Theater an der Wien, Tosca, Valery Gergiev | Leave a comment

Getting the band back together: Pappano leads The Royal Opera’s return to action

Posted on September 6, 2020 by Mark Pullinger

The Royal Opera: Live in Concert Royal Opera House, 5th September 2020 It’s déja vu all over again! The last work staged at the Royal Opera House before lockdown was La traviata, so it was somehow fitting that this Live … Continue reading →

Posted in Opera | Tagged Aigul Akhmetshina, Antonio Pappano, Charles Castronovo, Filipe Manu, Gerald Finley, Jeremy White, Kristine Opolais, Lisette Oropesa, Orchestra of the Royal Opera House, Royal Opera, Vito Priante | Leave a comment

Swans, severed heads and a deerstalker: 2018 in review

Posted on December 30, 2018 by Mark Pullinger

“Wow! That’s some year you’ve had!” was a message written in one of this year’s Christmas cards. “Aiming to top it in 2019?” I’m not sure I have the energy! My outstanding operatic experience of the year was easily Salome at … Continue reading →

Posted in Ballet, CD, Comment, Concert, Opera | Tagged Alexei Ratmansky, Alzira, Anna Netrebko, Antoine Tamestit, Asmik Grigorian, Avi Avital, Barrie Kosky, Birmingham Royal Ballet, Budapest Festival Orchestra, Carmen, Christophe Honoré, City of Birmingham Symphony Orchestra, Cyrille Dubois, Debussy, Der Ring des Nibelungen, Don Carlos, Ernani, Gaëlle Arquez, Giulio Cesare in Egitto, Glyndebourne, Hamlet (Thomas), Il corsaro, Iván Fischer, La battaglia di Legnano, La Fille mal gardée, Les Huguenots, Les Pêcheurs de perles, Liam Mower, Liam Scarlett, Lisette Oropesa, Marianela Núñez, Matthew Ball, Matthew Bourne, Michael Collins, Mirga Gražinytė-Tyla, MusicAEterna, Nemanja Radulović, Opéra Comique, Opéra de Lyon, Pathétique Symphony, Romeo Castellucci, Royal Opera, Sabine Devieilhe, Salome, Salzburg Festival, Stéphane Degout, Swan Lake, Tchaikovsky, Teatro dell'Opera di Roma, Teodor Currentzis, The Turn of the Screw, Tosca, Venice Baroque Orchestra, Vladimir Jurowski, Yusif Eyvazov | Leave a comment

Tag Archives: Lisette Oropesa

Top ten operas 2022

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Getting the band back together: Pappano leads The Royal Opera’s return to action

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Swans, severed heads and a deerstalker: 2018 in review

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Tag Archives: Lisette Oropesa

Top ten operas 2022

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Getting the band back together: Pappano leads The Royal Opera’s return to action

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Swans, severed heads and a deerstalker: 2018 in review

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