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Tag Archives: Elena Stikhina
Top ten operas 2022
This was the year that opera houses got back to something approaching “normality” post-pandemic. It’s easy to forget that at the start of 2022, Covid restrictions were still very much in place: visiting Vienna in January, one needed proof of … Continue reading →
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Tagged Adam Smith, Adele Thomas, Ailyn Pérez, Alain Altinoglu, Alcina, Anna Caterina Antonacci, Asmik Grigorian, Bajazet, Claus Guth, Corinne Winters, Dialogues des Carmélites, Don Carlo, Don Carlos, Elena Stikhina, Elena Zilio, Eleonora Buratto, Elina Garanca, Emma Dante, Enea Scala, Gábor Bretz, Garsington Opera, Gerard Schneider, Gianni Schicchi, Glyndebourne, Il tabarro, Il trittico, Irish National Opera, Jack Furness, Jonathan Tetelman, Kristine Opolais, La Monnaie, La Voix humaine, Laurent Pelly, Les Mamelles de Tirésias, Lisette Oropesa, Ludovic Tézier, Martin Kusej, Matthew Polenzani, Najmiddin Mavlyanov, Natalya Romaniw, Opera di Roma, Otello, Peter Kálmán, Peter Whelan, Pique Dame, Richard Jones, Rosetta Cucchi, Rossini Opera Festival, Royal Opera, Rusalka, Salome, Stéphanie d’Oustrac, Suor Angelica, Teatro alla Scala, Teatro di San Carlo, Theater an der Wien, Tosca, Valery Gergiev
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A long road to nowhere for Igor at the Bastille
Borodin: Prince Igor Opéra national de Paris, Bastille, 1st December 2019 Gone are the days when Borodin’s Prince Igor was presented as dry historical pageant, dusty stagings of static tableaux. Directors now prefer to tap into the psychology of the … Continue reading →
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Tagged Adam Palka, Andrei Popov, Anita Rachvelishvili, Barrie Kosky, Borodin, Dimitry Ivashchenko, Dmitry Ulyanov, Elena Stikhina, Ildar Abdrazakov, Irina Kopylova, Klaus Bruns, Marina Haller, Opéra de Paris, Opéra national de Paris, Otto Pichler, Pavel Cernoch, Philippe Jordan, Prince Igor, Rufus Didwiszus, Vasily Efimov
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