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Tag Archives: Janáček
Bright singing, grim staging: the JPYA Summer Performance at Covent Garden
Jette Parker Young Artists’ Gala *** Royal Opera House, 17th July 2016 During the course of a season, the Royal Opera’s Jette Parker Young Artists participate in many full productions, mainly in comprimario roles, developing their craft, gaining main stage experience, learning … Continue reading
Posted in Opera
Tagged David Junghoon Kim, David Shipley, Emily Edmonds, Gounod, James Platt, Janáček, Jennifer Davis, Johann Strauss II, Jonathan Santagada, Lauren Fagan, Leoncavallo, Paul Wingfield, Paul Wynne Griffiths, Richard Gerard Jones, Royal Opera, Samuel Dale Johnson, Samuel Sakker, Tchaikovsky, Vlada Borovko, Yuriy Yurchuk
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Circle of Life: Janáček’s Cunning Little Vixen returns to Glyndebourne
Janáček: The Cunning Little Vixen **** Glyndebourne Festival Opera, 12th June 2016 Seventy years before Elton John’s “The Circle of Life” graced The Lion King, Leoš Janáček celebrated nature’s cycle in The Cunning Little Vixen. His inspiration was drawn from … Continue reading
Posted in Opera
Tagged Alexander Vassiliev, Alexandre Duhamel, Alžběta Poláčková, Christopher Purves, Colin Judson, Dinah Collin, Elena Tsallagova, Glyndebourne, Glyndebourne Chorus, Jakub Hrůša, Janáček, London Philharmonic Orchestra, Marta Fontanals-Simmons, Melly Still, Sarah Pring, The Cunning Little Vixen, Tom Pye
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Reflections on fallen men: Mark Padmore at Wigmore Hall
Schumann, Wigglesworth, Janáček: Mark Padmore *** Wigmore Hall, 12th May 2016 There isn’t an ideal English title translation for Verdi’s La traviata. Often given asThe Fallen Woman, it can be more accurately translated as “the woman who has gone astray”. Even … Continue reading
Posted in Concert
Tagged Janáček, Mark Padmore, Ryan Wigglesworth, Schumann, Victoria Simmonds
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Free spirit: releasing Janáček’s Vixen into Glyndebourne’s wilderness
The Cunning Little Vixen should be the perfect fit for Glyndebourne, with its idyllic countryside setting in the rolling Sussex hills. Yet it has only staged the opera twice: Jonathan Miller’s staging (in English) in 1975; and Melly Still‘s in 2012, … Continue reading